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No, I wasn't one of those early baby-boomers who matured watching her mature on the Mickey Mouse Club Show. I was a late baby boomer and the TV shows I remember were Davy Crockett and Andy Griffith (not to mention the Banana Splits, F-Troop, Gilligan's Island and the Monkees, but let's not get into that!).

Living in Ketchikan in the late 1960s lead to an odd New Year's Eve ritual: The midnight KATV beach movie. As odd as it seems, there were several consecutive years in which the local cable TV station played old beach movies on New Year's Eve. I particularly remember "Ride, Ride the Wild Surf," "Beach Blanket Bingo," and "How to Stuff A Wild Bikini."

I guess the best part of all those old New Year's beach movies was that they were really educational. I learned a lot from those movies. It wasn't quite the same a learning everything you need to know in Kindergarten (where I learned that despite having her back turned Mrs. Kienel could still pick out my voice from the chattering herd and suggest I 'let someone else talk for a change'), but then I was a little ways past Kindergarten at that point.

I learned that men with facial hair were usually bad. The guy that Annette would fall for would be a little "older" and have some sort of facial hair (goatee, Van Dyke, never a full beard, that was too sinister). That would make him "mature" and somewhat dangerous. In the end, it would turn out that he was bad or had bad intentions toward Annette. Either way, Frankie would whip him in a fight or a surfing challenge or something.

We have good reasons to be optimistic about changing careers in midlife and beyond. As talent shortages increase in many parts of the world, employers slowly realise they can tap the large reservoirs of skilled mature workers who are underused or actively looking for new professional opportunities. Companies that have taken action in that direction are reporting significant benefits. Our experience as talent managers and career agility coaches has shown us that it is entirely possible to switch careers at any age. Here is why and how.

Four guys doing something kooky-that sounds like a teen-hormone romp. But the Space Cowboys quartet has been alive for a cumulative 261 years, and in films for 156. They're too mature to fiddle with bra straps or play with pastry. Besides, Eastwood is a gentleman of sorts, so-except for displaying the four men's naked behinds, which is quite an archaeological sight-he will embarrass neither them nor us. Directing from a script by Ken Kaufman and Howard Klausner, he finds fresh breezes in familiar vectors: the residual rivalry of Frank and Hawk, the tensions between the ancient astronauts and the modern ones, the impact of decay and disease on minds that are still bright, wills that are still strong.

For its first hour, this is an engaging rite-of-passage comedy for the Grumpy Old Men set. When the men go into orbit, so does the film. It blends tension and emotion, computer wizardry and dramatic skill in a vigorous climax-and the most impressive, haunting final shot of the movie year.

They sing (it's dreadful)! They dance (sort of)! - but this doesn't stop director Zack Stratis from casting his real Greek-American family in his first feature, COULD BE WORSE! This genre-busting cinema verite/musical extravaganza is a beautifully self-indulgent movie within a movie.

Tony Hawk, Erik Estrada, and a cast of thousands star in the most dangerous skateboard movie ever made. Filmed on 35mm, MiniDV, and Hi-8. Edited entirely on a Macintosh using an Avid in a bedroom in Burbank, CA. Soundtrack downloaded off Macster (Napster for the Mac). For Mature Audiences Only. 041b061a72